LSF 59 談首次的「駐祭計畫」，兼論聲音表演的「透／抽」

演出者︰
鄭宜蘋 Yi-Ping CHENG ︱透 Pass Through
黃大旺 Dawang Yingfan HUANG feat.鄭宜蘋 Yi-Ping CHENG ︱沒有說，我剛才沒有說  NO, I didn’t say so. （駐祭計畫）

文︱吳牧青

要將失聲祭第59場的演出「純粹地」去寫作篇對此演出作品的評論，有其難以切割的困難，原因在於2012年上半年度失聲祭首次嘗試「駐祭計畫」的設計，在半年內六場演出安排單數月份由近二年來噪音場／聲音藝術圈十分活躍的黃大旺（黑狼），擔綱三次頻率尚稱密集的對話性演出，值此故，觀察重點很難不放在黃大旺於LSF#55、57、以至於本場與三位不同藝術家的共演關係。

LSF59

Lacking Sound Festival Listen 59

2012, May, 18(Fri)＠Nan-Hai Gallery

Entrance Time︱19:20 Starts Punctually At 19:30

Entrance Fee︱NT$.50

Limitation Of Entry 80 People

LSF Artist-in-Residence Program 1.3

Artist︱ Yi-Ping CHENG

Artist︱ Dawang Yingfan HUANG

LSF Artist-in-Residence Program Performance Introduction︱ NO, I didn’t say so.

Artists│Yi-Ping CHENG × Dawang Yingfan HUANG

Unconsciously, we are consuming and using a lot of sound which is digital-recorded. The good use of non-linear and non-destructive technique for sound repairmen makes the audience find it difficult to tell what is real.

It is fortunate to collaborate with female creator of the new generation, Miss I-Pin Cheng. With the basic editing function of sound-recording and music-arranging software, we are going to deconstruct the very moment that the record is made, probing the position of recording history on which human stand.

失聲祭 Listen59

2012, May, 18(Fri)＠南海藝廊

入場時間︱19:20入場 19:30準時開始

入場費︱NT$.50

每場限定80位觀眾

駐祭計畫 1.3

演出者︱ 鄭宜蘋

駐祭藝術家︱ 黃大旺 

Apple鄭宜蘋×黃大旺 駐祭表演簡介︱沒有說，我剛才沒有說

我們在不知不覺之間，已經在消費、使用許許多多的數位錄音取樣的聲音。乃至於非線性、非破壞性聲音修整技術的活用，更容易讓聽者分不清他們所聽到的是虛是實。

這次有幸與新銳女性創作者鄭宜蘋小姐合作演出，主要是透過時下被廣泛使用錄音編曲軟體的基本取樣編輯功能，來逐步解構被錄音的「當下」，藉此探討人在取樣歷史中的位置。

Yi-Ping CHENG ( 鄭宜蘋 )

Artist︱ Yi-Ping CHENG

Yi-Ping CHENG, aka Betty Apple, majored in performance in undergraduate school of TNUA. At her teenage, Betty Apple was involved into varieties of production and performance, from theater to movie. From 2007 on, electronic music has led her into a more mysterious stream of life. She then started to create electronic music with synthesizer and computer. Studying her MFA degree in School of Film and New Media of TNUA,  she is experimenting on adding theatrical features to the sound performance art , sound installations using concrete sounds and electronica music elements.

Dawang Yingfan Huang ( 黃大旺 )

Artist︱ Dawang Yingfan Huang

Living in the oppressive and erupting 1990s, in which stock market plunges seriously, Dawang Yingfan Huang chooses to stay in the room, taking recording sound as his own way of self-healing. He acts like this for twenty years. After being called as “black wolf” as an abbreviation for “the wolf of dark campus folksongs”, he distributed hundreds of diversely stylistic songs, taking part in compiled albums from home to abroad, and gradually form three styles of improvisation, electronic noises and Nakasi.  Being in Japan for over five years, returning home on 2010, Huang not only collaborated with harsh noise performer You-Sheng Chang for many times, developing improvisation in Taiwan, but he also, at the same year, started an original sound performance Minkoku Hyakunen with Chang, deconstructing, through the form of the theater of absurd and the method of materialism, the “interdisciplinary” idea which prevailing Taiwanese art performance field. ”Yingfan's Black Wolf Nagashi” conveys the powerlessness toward selves and the environment, by way of simple establishment, deriving different themes according to the different occasions. Noise and improvisation are immediate performance, which function very well at the interdisciplinary performance of modern dance and music improvisation “Sound Creating”. The Black Wolf’s life is best described as noise.