人機合一與聲音批判的寓言－失聲祭 Listen57之後

文/Ko yu jia

你有多想望機械？擁有它？使用它？製造它？甚至，成為它？是在失去摯愛後渴望他/她重生，以機械仿生，讓它/他/她懂愛，好再愛它/他/她（讓它/他/她愛自己）一遍？或是為了延續生命、恢復生活，所以在身體置入機械，以便行動自若如以往？還是為了發明更高階的機械裝置而走火入魔，利用過人的能量成為權力與資源的掠奪者？（註1）

當然，這一切都只是電影裡的想像橋段，是一種未來式的科幻，也可以被解讀成某種激進的寓言，或許誇張，但也或許有成真的一天。

LSF 57

Lacking Sound Festival Listen 57

2012, March, 16(Fri)＠Nan-Hai Gallery

Entrance Time︱19:20 Starts Punctually At 19:30

Entrance Fee︱NT$.50

Limitation Of Entry 80 People

LSF Artist-in-Residence Program 1.2

Artist︱ CraftWeak Lite

Artist︱ Dawang Yingfan Huang

LSF Artist-in-Residence Program Performance Introduction︱Yoshimitsu Ichiraku

Artists│YEH, Ting –Hao × Dawang Yingfan Huang

 “Every year when this time comes, I think of some awkward things of the past, involuntarily. For example, you may say. For example, just like making wrong of practice time, and the practice room was locked, and then waited outside for three hours, and finally knew I made wrong, everything was in vain. And then, you may ask. In fact, at that time, after all, no one wanted to invite me to the band. What’s about that! You may say. ”

失聲祭 Listen57

2012, March, 16(Fri)＠南海藝廊

入場時間︱19:20入場 19:30準時開始

入場費︱NT$.50

每場限定80位觀眾

駐祭計畫 1.2

演出者︱ CraftWeak Lite

駐祭藝術家︱ 黃大旺 

枼廴晧×黃大旺 駐祭表演簡介︱一樂儀光長得不像艾未未

「每年一到了這個時候，濕濕冷冷的我就會開始不自主想到一堆以前的彆扭事。你會問，譬如說呢？大概就是搞錯練團時間，練團室卻沒開，然後在練團室外面等了三個小時，後來才知道自己搞錯時間，白跑一趟。你又會問，那後來呢？其實那時候根本就不會有人想到找我去完團，你說，這什麼跟什麼啊！」

CraftWeak Lite

Artist︱ CraftWeak Lite

1981, the artist was born in Taipei, Taiwan, growing in ZhongLi, and recently work and live in Taipei.

His creations focus on mathematical theories, physical and chemical phenomena, and the relationship between sub-culture and media art. Through the Audio-Visual performances , he shows a different view into the mingling of science and culture.

He starts out from making computer graphics, endeavoring in live performance of real-time processing . Depending on the characteristic of sound and image materials, and through manipulating time and space, he tries to display surreal atmosphere within reality.

He doesn’t like to show his real name in performance, so he uses varieties of anonym, and till now has used over thirty different anonymous.

Dawang Yingfan Huang ( 黃大旺 )

Artist︱ Dawang Yingfan Huang

Living in the oppressive and erupting 1990s, in which stock market plunges seriously, Dawang Yingfan Huang chooses to stay in the room, taking recording sound as his own way of self-healing. He acts like this for twenty years. After being called as “black wolf” as an abbreviation for “the wolf of dark campus folksongs”, he distributed hundreds of diversely stylistic songs, taking part in compiled albums from home to abroad, and gradually form three styles of improvisation, electronic noises and Nakasi.  Being in Japan for over five years, returning home on 2010, Huang not only collaborated with harsh noise performer You-Sheng Chang for many times, developing improvisation in Taiwan, but he also, at the same year, started an original sound performance Minkoku Hyakunen with Chang, deconstructing, through the form of the theater of absurd and the method of materialism, the “interdisciplinary” idea which prevailing Taiwanese art performance field. ”Yingfan's Black Wolf Nagashi” conveys the powerlessness toward selves and the environment, by way of simple establishment, deriving different themes according to the different occasions. Noise and improvisation are immediate performance, which function very well at the interdisciplinary performance of modern dance and music improvisation “Sound Creating”. The Black Wolf’s life is best described as noise.