LSF55 顛倒的駐祭計劃──淺談黃大旺的噪音

文╱張又升

一、前言
新年新希望，進入第五年的失聲祭展開「駐祭計劃」：由一位聲音藝術家隔月一次，與當月另一位聲音藝術家合作。對於多以個體戶姿態創作與演出的藝術家而言，這肯定是一種挑戰；對於看慣個體戶藝術家的觀眾來說，這麼做也較有新鮮感。在討論這次演出之前，有必要先談談失聲祭和駐祭計劃，畢竟沒有這個平台，大家就不容易聽看到這些演出。

二、顛倒的駐祭計劃
2007年開始運作的失聲祭，早已制度化。幕前演出流程（主持、演出、中場休息、會後座談）和幕後準備工作（演出前的場佈、排演、用餐、海報設計，演出時的錄音和錄影，演出後的車馬費分發、場地復原、評論書寫等）皆照表抄課，讓演出者、工作人員和參與者備感安心。每月一次的演出，對觀眾或聽眾來說，早已成為台北聲音藝術生活的一部份，更吸引了外國藝文圈的注意。只是，穩定與僵化往往只有一線之隔，主辦方需要一些改變。

LSF 55

Lacking Sound Festival Listen 55

2012, January, 06(Fri)＠Nan-Hai Gallery

Entrance Time︱19:20 Starts Punctually At 19:30

Entrance Fee︱NT$.50

Limitation Of Entry 80 People

LSF Artist-in-Residence Program 1.1

Artist︱ WU, Ping Sheng 

Artist︱ Dawang Yingfan Huang

失聲祭 Listen55

2012, January, 06(Fri)＠南海藝廊

入場時間︱19:20入場 19:30準時開始

入場費︱NT$.50

每場限定80位觀眾

駐祭計畫 1.1

演出者︱ 吳秉聖

駐祭藝術家︱ 黃大旺 

Dawang Yingfan Huang ( 黃大旺 )

Artist︱ Dawang Yingfan Huang

Living in the oppressive and erupting 1990s, in which stock market plunges seriously, Dawang Yingfan Huang chooses to stay in the room, taking recording sound as his own way of self-healing. He acts like this for twenty years. After being called as “black wolf” as an abbreviation for “the wolf of dark campus folksongs”, he distributed hundreds of diversely stylistic songs, taking part in compiled albums from home to abroad, and gradually form three styles of improvisation, electronic noises and Nakasi.  Being in Japan for over five years, returning home on 2010, Huang not only collaborated with harsh noise performer You-Sheng Chang for many times, developing improvisation in Taiwan, but he also, at the same year, started an original sound performance Minkoku Hyakunen with Chang, deconstructing, through the form of the theater of absurd and the method of materialism, the “interdisciplinary” idea which prevailing Taiwanese art performance field. ”Yingfan's Black Wolf Nagashi” conveys the powerlessness toward selves and the environment, by way of simple establishment, deriving different themes according to the different occasions. Noise and improvisation are immediate performance, which function very well at the interdisciplinary performance of modern dance and music improvisation “Sound Creating”. The Black Wolf’s life is best described as noise.

WU Ping Sheng ( 吳秉聖 )

Artist︱ WU, Ping Sheng 

He, under unceasing self-estimation, puts himself into the field of creation, which starts from his personal thoughts of daily life, taking sound as a medium to communicate. He expects not to be confined in the current existed condition, but to experiment new possibilities. Having no constant logic in creativity, he attempts to establish a conscious link between the self and other beings via space to structure the unique relationship between the works and the space.