Showing posts with label LSF61. Show all posts
Showing posts with label LSF61. Show all posts

LSF61 在噪咖的首場演出,以及KK Null帶來的Primal Scene


/陳璽安

有時候我們會被飛機低空掠過的巨大聲響嚇著,卻也在它逐漸遠去時,接著驚艷於機體衝撞空氣,噪音變化的細膩美感。

在這場聲音表演中,KK NULL的噪音常以他所收集的豐富素材交疊起來,強壯而細緻。演出後的座談,他說,由於噪咖的空間屬性,演出的音量已經是較為小聲的了,而隔日他在行將關閉的地下社會將有音量更大的表演。不過,當噪咖中幾台音響指著觀眾,湧出來的這首「宇宙雜訊,極繁/簡主義」中的音量其實已經非常大聲,我的比喻也不誇張:你同樣必須在某種緊張的情緒下捉摸它的細節。在大的音量底下,KK NULL以豐富的素材處理出幾組小的聲群,可以說是比較古典的聆聽經驗。儘管如此,在場的觀眾大概很難同意這是種舒適的欣賞過程。透過音樂,演出者更像是在讓這一群人的耳朵接受他難度不低的挑戰。

LSF 61


Lacking Sound Festival Listen 61
2012, July, 6 (Fri) @ noiseKitchen
Entrance Time︱18:30 Starts Punctually At 19:30
Entrance Fee︱NT$.150(with drink)

Opening DJ : YAO, Chung-Han
Artist︱Tim TSUI 
Artist︱KK. Null


失聲祭 Listen61
2012, July, 6 (Fri) @噪咖
入場時間︱18:30入場 19:30準時開始
入場費︱NT$.150 (含飲料)

暖場DJ : 姚仲涵
演出者︱崔欽翔  
演出者︱岸野一之


Tim TSUI (崔欽翔)


Artist︱Tim TSUI
Tim Tsui, studying in Graduate school at Taipei National University of the Arts, working on the experiment techno, Sound art, multimedia video, Audio-Visual created.

KK. Null ( Kazuyuki Kishino 岸野一之 )


Artist︱KK. Null (Kazuyuki Kishino)

(real name : KAZUYUKI KISHINO) was born in Tokyo, Japan. Composer, guitarist, singer, mastermind of ZENI GEVA and electronic wizard. One of the top names in Japanese noise music and in a larger context, one of the great cult artists in experimental music since the early 80's. In 1985 he established his own label NUX ORGANIZATION to produce & release his own works and subsequently the bands such as MELT-BANANA and SPACE STREAKINGS. He also produced the series of "Dead Tech" (compilation albums by Japanese bands) which heralded Japanese alternative music boom internationally from the early 90's to date. After playing the guitar as his main instrument for some twenty years, KK NULL has gradually moved towards a more electronic approach. In recent years he has concentrated his efforts on his solo & collaborative recordings, exploring the outer territories of electronica, creating intense clashing wave of noise, structured electro-acoustic ambience, broken down rhythmics, scattered pitch sculptures, droning isolationist material which could be described "cosmic noise maximal/minimalism"