Born in Taipei, Taiwan Louis was a researcher for Ministry of Culture. He has also worked for various companies in the domain of internet music service, language education and so on with new media technology. Currently he is working for the Performing Technology Lab in TNUA. Louis is interested in interactive media and sound art performing. In addition he enjoys collaborating on the projects with others from different countries and professional fields. For being a believer, he usually tries to raises questions about society and human nature through his works. In 2009, his interactive biofeedback sound installation/performing “Couch Surfing/VERGENCE《感 應》” was shown in Ars Electronica Festival in Linz, Austria (with Mauro Arrighi). His focus for the last few years and continuing into the future has been on the interactive spatial sound field, the acoustic effects of human biofeedback/perception, natural interaction and wearable media.
演出者︱李霈恩
出生於台灣/台北。曾擔任文建會研究人員, 也在網路音樂、語言教育...等媒體科技領域相關公司工作。目前服務於台北藝術大學表演科技實驗室。喜愛互動媒體，聲音藝術表演, 並樂於與國內外不同專業領域的朋友, 一起合作嘗試不同美感形式的新媒體藝術與表演創作。基於個人信仰，作品不時試圖探討社會和人性本質。2009年與Mauro Arrighi合作的互動生物回饋聲音裝置/表演計畫 “Couch Surfing/VERGENCE《感 應》“, 展出於奧地利林茨電子藝術節。最近與未來幾年, 會持續專注於互動空間音場, 人體生物反饋與知覺的聲學效應, 自然體感互動與可穿戴式媒體。
She is an interdisciplinary, dance artist with formal training in theatre, music, and visual arts. She creates work for both stage and screen while her research in dance and technology focuses on the design of interactive systems, using a unique framework based in Laban Movement Analysis.
She began a dialogue with movement/technology creating experimental dance films then collaborating from 2007-2009 with the Tele-immersive Environments lab at the University of Illinois Department of Computer Science. She recently completed a Fulbright Fellowship in Italy at Virtual Reality and Multi Media Park’s (VR&MMP) Allied Sciences Arts Lab where she then developed, directed, and choreographed fraMESHift, an interactive dance production. As a current Henry Luce Scholar, she is collaborating with Taipei National University of the Arts and immersing herself in the Taiwanese arts scene.
演出者︱Renata Sheppard
Renata Sheppar是一位跨領域，接受過正式戲劇/音樂/視覺藝術訓練的舞蹈藝術工作者。她從事舞台和銀幕上的表演創作，運用獨特的拉邦動作分析架構研究舞蹈與科技，並著重於互動性系統的設計。
她從創作實驗性舞蹈影片開始，展開她在肢體動作與科技間的對話。隨後在2007～2009年，與伊利諾伊大學資訊科學系的遠端沉浸式環境實驗室合作。最近她在意大利的虛擬實境和多媒體園區所屬科學藝術協同實驗室，發展/導演/編舞了一部互動舞蹈製作[ 移碼突變 ] (fraMESHift)，完成福布萊特國際教育交流計畫。目前她以亨利‧盧斯學者的身份與國立台北藝術大學合作，並將自己沈浸於台灣的藝術環境氛圍中。
Performance Introduction︱[ Be Tones ]
Since the beginning,
the universe is a system of constant vibrations,
Inorganically or organically, disorderly or orderly.
With infinite energy,
it never rests in the task of creation and destruction,
dynamically and circuitiously playing sonatas of cohesion and diffusion.
Relative to a vast expanse,
Subtle tones and rhythms are acting and reacting to the transient vibration of human consciousness.
Our tongues, mouths, limbs and bodies.
It sounds and looks so natural between
the hiding and blending, the exploring and computing,
the duality of Yin and Yang, the process of formation, existence, decay and disappearance.
It generates more possibilities and levels of life,
hence all in one.
A universe.
表演簡介︱[ Be Tones ]
太初以來
整個宇宙是個巨大發聲器
無機/有機 無序/有序地
在至高的能量下
永不歇息的創造與破壞之中
循環著凝聚與擴散的動態奏鳴
相對無際的巨大浩瀚
細微的聲調與律動
人類意識經由神經脈絡掌控/失控的短暫振動
口 舌 肢 體
看似理所當然的習以為常之間
隱藏揉合 探索運算
陰陽二元 成住壞空
更多層次的萬有可能性
並終為
一
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