LSF71

Lacking Sound Festival Listen 71
2013, March, 16 (Sat) ＠noiseKitchen
Entrance Time︱18:30 Starts Punctually At 19:00
Entrance Fee︱NT$.150(with drink)

Opening Artist︱Pin-Da HO
Artist︱Louis Erwin LEE & Renata Sheppard
Artist︱Hong-Kai WANG & Mattin

Pin-Da HO (何品達)

Opening Artist︱Pin-Da HO
Born in 1986, Pin-Da HO is now studying in the Institute of Music of NCTU, majoring in Multi-media Composition.
Always fancying idly, he therefore put those imagination into creation. Before the graduate school, he studied in the Applied Music Department of TNNUA. During that period, he was interested in the style of soundtrack of European, American, and Japanese fantasy films and games. As to the creation during the graduate school, he focuses on the relationship among art and the spiritual life, such as religion and philosophy.

Louis Erwin LEE (李霈恩) & Renata Sheppard

Artist︱Louis Erwin LEE 
Born in Taipei, Taiwan Louis was a researcher for Ministry of Culture. He has also worked for various companies in the domain of internet music service, language education and so on with new media technology. Currently he is working for the Performing Technology Lab in TNUA. Louis is interested in interactive media and sound art performing. In addition he enjoys collaborating on the projects with others from different countries and professional fields. For being a believer, he usually tries to raises questions about society and human nature through his works. In 2009, his interactive biofeedback sound installation/performing “Couch Surfing/VERGENCE《感 應》” was shown in Ars Electronica Festival in Linz, Austria (with Mauro Arrighi). His focus for the last few years and continuing into the future has been on the interactive spatial sound field, the acoustic effects of human biofeedback/perception, natural interaction and wearable media.

演出者︱李霈恩
出生於台灣/台北。曾擔任文建會研究人員, 也在網路音樂、語言教育...等媒體科技領域相關公司工作。目前服務於台北藝術大學表演科技實驗室。喜愛互動媒體，聲音藝術表演, 並樂於與國內外不同專業領域的朋友, 一起合作嘗試不同美感形式的新媒體藝術與表演創作。基於個人信仰，作品不時試圖探討社會和人性本質。2009年與Mauro Arrighi合作的互動生物回饋聲音裝置/表演計畫 “Couch Surfing/VERGENCE《感 應》“, 展出於奧地利林茨電子藝術節。最近與未來幾年, 會持續專注於互動空間音場, 人體生物反饋與知覺的聲學效應, 自然體感互動與可穿戴式媒體。

Artist︱Renata Sheppard
She is an interdisciplinary, dance artist with formal training in theatre, music, and visual arts. She creates work for both stage and screen while her research in dance and technology focuses on the design of interactive systems, using a unique framework based in Laban Movement Analysis.
She began a dialogue with movement/technology creating experimental dance films then collaborating from 2007-2009 with the Tele-immersive Environments lab at the University of Illinois Department of Computer Science. She recently completed a Fulbright Fellowship in Italy at Virtual Reality and Multi Media Park’s (VR&MMP) Allied Sciences Arts Lab where she then developed, directed, and choreographed fraMESHift, an interactive dance production. As a current Henry Luce Scholar, she is collaborating with Taipei National University of the Arts and immersing herself in the Taiwanese arts scene.

演出者︱Renata Sheppard
Renata Sheppar是一位跨領域，接受過正式戲劇/音樂/視覺藝術訓練的舞蹈藝術工作者。她從事舞台和銀幕上的表演創作，運用獨特的拉邦動作分析架構研究舞蹈與科技，並著重於互動性系統的設計。
她從創作實驗性舞蹈影片開始，展開她在肢體動作與科技間的對話。隨後在2007～2009年，與伊利諾伊大學資訊科學系的遠端沉浸式環境實驗室合作。最近她在意大利的虛擬實境和多媒體園區所屬科學藝術協同實驗室，發展/導演/編舞了一部互動舞蹈製作[ 移碼突變 ] (fraMESHift)，完成福布萊特國際教育交流計畫。目前她以亨利‧盧斯學者的身份與國立台北藝術大學合作，並將自己沈浸於台灣的藝術環境氛圍中。

Hong-Kai WANG (王虹凱) & Mattin

Artist︱Hong-Kai WANG
Born in Yunlin, Taiwan, Hong-Kai WANG received a BA in Political Science from National Taiwan University (Taipei) and an MA in Media Studies from The New School University (New York). She works with sound as a conceptual means to investigate social relations and the construction of new social space, focused on a collaborative and process-driven approach to production. Her work spans interventions, performance, workshops, publication and installations, in a networked excavation of social memory embedded in listening and sound as forms of perceptual, cognitive organization and of political questions of relation and harmony.

演出者︱王虹凱
台灣雲林人，臺大政治系和美國紐約新學院媒體研究所畢業。創作主要以聲音做為概念性手段來探究社會政治關係，以及社會記憶和歷史意識如何形塑我們每天生活的感知經驗。作品透過集體合作與過程取向的製作方式尋求架構新社會空間的可能性，包括公共介入、表演、工作坊、裝置等。
Website｜http://w-h-k.net/index.html

Artist︱Mattin
Mattin is a Basque artist working with noise and improvisation. His work seeks to address the social and economic structures of experimental sonic artistic production through live performance, recordings and writing.
Using a conceptual approach, he aims to question the nature and parameters of improvisation, specifically the relationship between the idea of ''freedom''and constant innovation that it traditionally implies, and the established conventions of improvisation as a genre.
Mattin considers improvisation not only as an interaction between performers and instruments, but as a situation involving all the elements that constitute a concert situation, including the audience and the social and architectural space. He tries to expose the stereotypical relation between active performer and passive audience, producing a sense of strangeness and alienation that disturbs this relationship.

演出者︱Mattin
西班牙巴斯克聲音藝術家Mattin長期在噪音和即興表演領悟上創作，探究實驗聲音藝術生產裡的社會與經濟結構，作品形式包括現場表演、錄音與寫作。透過觀念性手段，他質問即興表演的屬性與界限，尤其著重其傳統指射下的 「自由與持續創新」以及作為一種廣被認可的「類型」之間的關係。
Website｜http://www.mattin.org/

眾聲喧嘩果汁機：側記失聲祭LSF70

文/ Ko yu jia

一人編制交響樂

本次LSF70失聲祭十分熱鬧，總計有五位表演者，有兩位遠道而來，第一位表演者Jorge Sanchez Chiong，畢業於維也納音樂院，也是維也納大學的跨領域計劃負責人，其表演的形式，與大多數聲響表演者或DJ演出相去不遠：以數位或類比聲響加上混音器、效果器為主，搭配大量的黑膠選碟，製造聲響的層次感，另有一名Mapping創作者鄭乃銓以影像呼應，是一種樂音式的噪音演出──也就是說，雖然以雜訊、電子聲響等所謂噪音為內容，但其韻律、層疊仍有秩序與安排，彷彿「一人編制交響樂」，而且，表演者在反饋力極小的裝置（或電腦）按鍵上游走，卻大幅度地屈張身體，看起來完全就像一名交響樂指揮。

「樂音式的噪音」該如何形容呢？它幾乎沒有旋律可言，但仍有十分豐富的節奏與音頻，其中一段，由於環繞音響效果加乘，Jorge Sanchez Chiong的電子雜訊充盈整個空間，聲響在耳鳴與耳聰之間迴盪，耳膜酥麻的體驗令人印象深刻，這與先前體驗過的大多數噪音演出，只管將音量開到最大聲，挑戰掩耳尺度，並在最後一刻收手，留下空然寂靜中耳鳴嗡嗡作響的體驗完全不同。