Born in 1986, Betty Apple graduated from the School of Theater of TNUA, and now studies in the graduate school of New Media Art in TNUA. She is deeply influenced by bedroom electronica and sub-culture. During the year of 2012, she launched the “Performance of Experimental Electronic Music” and “The art of live sound”, and was active as a pioneer of “Sound Farmers”, an organization, founded on September, devoting to popularizing electronic music. In the context of her electronic music, she centers on her own senses, creating a system which belongs to individual senses and includes many dimensions of tone. During her live performance, she produces sound with her body, creating an unknown ambiguity with the speakers, thus, she conveys a sonic wave connection of implosion mystery.
About LSF Artist-in-Residence Program 3︱Feminine Sound Trilogy
Feminine sound is a whole text interweaving in the live performance.
Feminine sound, in contrast to masculine visuality, is a kind of writing which displays according to the internal feeling, rather than focusing on identity and pleasing.
Feminine sound doesn’t belong to any gender or body, it is a mysterious energy wave interweaving with creating and listening.
When the feminine sound flows, it shocks my body, not my logic.
In the first half of the year 2013, Betty Apple is going to hold three “feasts” in the same space through the changing of winter, spring and summer. Mixing her own experience of sound and feast as well as Live Art, she will invite different collaborative artists in each one of the trilogy.
Come, and listen to body, watch the sound.
駐祭藝術家︱鄭宜蘋 Betty Apple
生於1986年. 畢業於台北藝術大學戲劇系,現就讀台北藝術大學新媒體藝術研究所。受臥室電子樂與次文化影響至深。 2012年展開”實驗電子樂表演”與具有劇場性的”聲響現場藝術” 。為2012九月成立的電子樂發展推廣組織--「耕聲人」發起人之一。
關於駐祭計畫 3︱ 陰性聲音三部曲