Artist︱ Minkoku Hyakunen
Minkoku Hyakunen adopts materialism as their methodology: to produce sound from object is the goal rather than the tool to express any idea.
The methodology which can be categorized as a method of musique concrete is nevertheless originated from a certain idea.
However here we limit this idea to the form of the performance itself only; not to have the concept enter the content of the actual performance.
This is the method applied by hardcore noise artist Da-wang Huang and You-sheng Zhang to continue implement noise even after they put down the mixer and synthesizer.
And, this collaboration is limited to Year 100 only!
Performance Introduction︱
This time, we are taking this concept limited to the form of the performance to question and criticize the interrelationship between “sound” and “image”.
Website｜ http://minkokuhyakunen.blogspot.com
演出者︱民囯百年
民囯百年以唯物主義為方法論：物件發聲本身就是目的，而不是表現理念的工具。
這個可以被歸入具象音樂的做法當然也出於某種理念，只不過該理念並不進入演出內容，而只停留在演出形式。
這也是硬派噪音藝術家黃大旺和張又升放下手中的混音器與合成器之後，繼續貫徹噪音的方式。
對了，兩人這次的合作只限於民國百年喔！
表演簡介︱
這次，我們對「音─象」兩者的關係進行提問與批判。
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