Once a member of the well-known band “The Clippers”, Dino is a representative of the Taiwanese second noise wave in the 90s’. His works demonstrate the noise movement in Taipei from the second half of the 90s, technically a transition towards pure analog electronic sound, a milestone to establish an independent aesthetics.
Dino uses extremely simple analog equipment to create electronic sound, loop were generated from circuitry noise, static, or microphone feedback, a sort of “Recycle Music”.
In recent years, Dino participates in experimental films and live music production for theater. He was awarded Best Sound Effects in Taipei Film Festival. Dino is particularly fond of British punk subculture and traditional Chinese classics, of which the influence can be found from his works.
Performance Introduction︱
An electronic sound internship of tape, feedback, and effect~ for a limited time only.
臺灣90年代噪音第二波代表人物,曾為知名團體「夾子」樂隊成員。他的創作標識著九零年代後半期臺北噪音運動在技術上走向純類比電子,在內涵上建立獨立美學之里程碑。
DINO的電子音響來自於極其簡陋的模擬器材,利用線路雜音、靜電或麥克風回饋建立迴圈回路,在無音源的狀況下創造「買空賣空」的「再生音樂」(Recycle Music)。
近年來DINO參與實驗電影、小劇場現場配樂製作,曾獲臺北電影節最佳音效獎。DINO對於英倫龐克文化及中國古典文化研究著力甚深,這些影響當可見於其作品之中。
表演簡介︱
錄音帶、回饋與效果器的電子音樂實習~限量回饋。
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